The lyricism of this funeral theme, which, according to the Smithicist Goddard, recalls a scene from James Dean's "Rebel Without a Cause," is amplified, in addition to Morrissey's vocal strength, by the inclusion of stringed instruments, uncommon in other songs of the band. These instrumentalists, in the credits of the album, are named as the Hated Salford Ensemble, although, in reality, they are nothing more than the result of the emulation by a synthesizer that Marr programmed due to lack of time and budget, excess of zeal in collaborating with other musicians, and also because of Morrissey's hatred for all digital instruments.